Oil On Canvas, Real Flavor of Old Masters

All Giovanni Battista Tiepolo 's Paintings
The Painting Names Are Sorted From A to Z

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ID Image  Painting (From A to Z)       Details 
21924  
Sarah and the Archangel (mk08), Giovanni Battista Tiepolo
  		 Sarah and the Archangel (mk08)   1726-1728 Fresco,height c.400cm,width c.200cm Udine, Palazzo Arcivescovile
40542  
Sarch and the Archangel, Giovanni Battista Tiepolo
  		 Sarch and the Archangel   mk156 1726-28 Fresco Height
69126  
scipios adelmod, Giovanni Battista Tiepolo
  		 scipios adelmod   1743 olja på duk 60x44 se
62189  
Sense of the story of the Holy Spirit and progesterone, Giovanni Battista Tiepolo
  		 Sense of the story of the Holy Spirit and progesterone   mk280 Oil on canvas 58.7 x 45cm
33745  
St Charles Borromeo, Giovanni Battista Tiepolo
  		 St Charles Borromeo   mk86 c.1767-1769 Oil on canvas 122.6x111.5cm Cincinnati,Cincinnati Museum of Art
21837  
St Charles Borromeo (mk08), Giovanni Battista Tiepolo
  		 St Charles Borromeo (mk08)   c.1767-1769 Oil on canvas, 122.6x111.5cm Cincinnati,Cincinnati Museum of Art
79145  
St Jacobus defeats the Moors, Giovanni Battista Tiepolo
  		 St Jacobus defeats the Moors   Oil on canvas 317 x 163 cm cjr
66450  
St Jacobus defeats the Moors., Giovanni Battista Tiepolo
  		 St Jacobus defeats the Moors.   St Jacobus defeats the Moors. Budapest, Museum of Fine Arts. Olio su tela, 317 ?? 163 cm Inv. 649.
62188  
St James the great, Giovanni Battista Tiepolo
  		 St James the great   mk280 Oil on canvas 317 x 163cm
1614  
St.Thecla Liberating the City of Este from the Plague, Giovanni Battista Tiepolo
  		 St.Thecla Liberating the City of Este from the Plague   1759 Duome, Este
97358  
Susanna und die beiden Alten, Giovanni Battista Tiepolo
  		 Susanna und die beiden Alten   1722-1723 Medium oil on canvas Dimensions 56 X 43 cm cyf
61038  
The Allegory of the Planets and Continents at New Residenz., Giovanni Battista Tiepolo
  		 The Allegory of the Planets and Continents at New Residenz.   The Allegory of the Planets and Continents at New Residenz.
84145  
The Annunciation, Giovanni Battista Tiepolo
  		 The Annunciation   Date ca. 1725(1725) Medium Oil on canvas cjr
87968  
The Annunciation, Giovanni Battista Tiepolo
  		 The Annunciation   1725(1725) Medium Oil on canvas cyf
86325  
The Apotheosis of Admiral Vittor Pisani, Giovanni Battista Tiepolo
  		 The Apotheosis of Admiral Vittor Pisani   1743(1743) Medium Oil on canvas Dimensions 41 x 72 cm (16.1 x 28.3 in) cyf
72962  
The Apotheosis of Saint Roch, Giovanni Battista Tiepolo
  		 The Apotheosis of Saint Roch   "The Apotheosis of Saint Roch," oil on canvas, by the Italian artist Giovanni Battista Tiepolo. 16 1/8 in. x 13 3/8 in. Yale University Art Gallery, gift of the associates of fine arts. Courtesy of Yale University, New Haven, Conn. cjr
51315  
The Apotheosis of the Pisani Family, Giovanni Battista Tiepolo
  		 The Apotheosis of the Pisani Family   1761-62 Fresco, 2350 x 1350 cm
1618  
The Banquet of Cleopatra, Giovanni Battista Tiepolo
  		 The Banquet of Cleopatra   1743-44 National Gallery of Victoria, Melbourne
40560  
The Banquet of Cleopatra, Giovanni Battista Tiepolo
  		 The Banquet of Cleopatra   mk156 1746 Fresco 650x300cm
43271  
THe Banquet of Cleopatra, Giovanni Battista Tiepolo
  		 THe Banquet of Cleopatra   mk170 1740-1750 Oil on canvas 46.3x66.7cm
63770  
The Banquet of Cleopatra, Giovanni Battista Tiepolo
  		 The Banquet of Cleopatra   1746-47 Fresco Palazzo Labia, Venice For the face of Anthony Tiepolo fell back on a type of portrait which he often used in other contexts, e. g. for the god of war, Mars. This section lets us see the detailed rendering of the ornamental decoration on the armor and helmet, thus demonstrating the importance Tiepolo assigned to such apparently insignificant details.Artist:TIEPOLO, Giovanni Battista Title: The Banquet of Cleopatra (detail) Painted in 1701-1750 , Italian - - painting : historical
41283  
The Capture of Carchage, Giovanni Battista Tiepolo
  		 The Capture of Carchage   mk161 Oil on canvas
51318  
The Death of Hyacinth, Giovanni Battista Tiepolo
  		 The Death of Hyacinth   1752-53 Oil on canvas, 287 x 235 cm
82576  
The Death of Hyacinthus, Giovanni Battista Tiepolo
  		 The Death of Hyacinthus   Date ca. 1752-1753 Medium Oil on canvas Dimensions 287 x 232 cm (113 x 91.3 in) cjr
39632  
The death of t he consul Brutus in single combat with aruns, Giovanni Battista Tiepolo
  		 The death of t he consul Brutus in single combat with aruns   mk150 c.1728/3 Canvas 383x182cm
1613  
The Finding of Moses, Giovanni Battista Tiepolo
  		 The Finding of Moses   c1730 National Gallery of Scotland, Edinburgh
40544  
The Finding of Moses, Giovanni Battista Tiepolo
  		 The Finding of Moses   mk156 1730 Oil on canvas 202x342cm
23507  
The Finding of Moses (nn03), Giovanni Battista Tiepolo
  		 The Finding of Moses (nn03)   c 1730 Oil on canvas 202 x 342 cm 79 x 134 in National Gallery of Scotland Edinburgh
1612  
The Immaculate Conception, Giovanni Battista Tiepolo
  		 The Immaculate Conception   1767-69 Museo Nacional del Prado, Madrid
28139  
The Immaculate Conception, Giovanni Battista Tiepolo
  		 The Immaculate Conception   mk61 1767-1769 Oil on canvas 279x152cm
1616  
The Last Communion of St.Lucy, Giovanni Battista Tiepolo
  		 The Last Communion of St.Lucy   1747-48 Santi Apostoli, Venice
20703  
The Last Supper (mk05), Giovanni Battista Tiepolo
  		 The Last Supper (mk05)   ca 1745-50 Canvas 32 x 35 1/2 (81 x 90 cm)Acquired in 1877
40569  
The Marriage of the emperor Frederick Barbarosa and Beatrice of Burgundy, Giovanni Battista Tiepolo
  		 The Marriage of the emperor Frederick Barbarosa and Beatrice of Burgundy   mk156 1750-53 Fresco 400x500cm
52047  
The Martyrdom of St Agatha, Giovanni Battista Tiepolo
  		 The Martyrdom of St Agatha   c. 1756 Oil on canvas, 184 x 131 cm
51317  
The Martyrdom of St. Bartholomew, Giovanni Battista Tiepolo
  		 The Martyrdom of St. Bartholomew   1722 Oil on canvas, 167 x 139 cm
1617  
The Meeting of Anthony and Cleopatra, Giovanni Battista Tiepolo
  		 The Meeting of Anthony and Cleopatra   1746-47 Fresco Palazzo Labia, Venice
51316  
The Rage of Achilles, Giovanni Battista Tiepolo
  		 The Rage of Achilles   1757 Fresco, 300 x 300 cm
51299  
The Sacrifice of Iphigenia, Giovanni Battista Tiepolo
  		 The Sacrifice of Iphigenia   350 x 700 cm
97064  
The Sacrifice of Iphigenia, Giovanni Battista Tiepolo
  		 The Sacrifice of Iphigenia   ? X ? cm Date ? Medium oil on canvas cyf
51320  
The Sacrifice of Melchizedek, Giovanni Battista Tiepolo
  		 The Sacrifice of Melchizedek   1740-42 Oil on canvas, 1000 x 525 cm
63766  
The Scourge of the Serpents, Giovanni Battista Tiepolo
  		 The Scourge of the Serpents   The Scourge of the Serpents (detail) 1732-35 Oil on canvas, 164 x 1356 cm (complete frieze) Gallerie dell'Accademia, Venice During the 1720s Giambattista Tiepolo developed a new colouristic style of painting derived in principle from the dazzling palette of Veronese and the no less brilliant one of Sebastiano Ricci. Rejecting the tenebrous colour of Piazzetta, we witness in Tiepolo the triumph of colour with a richness of resonance and counterpoint elaborated within the ordered and monumental composition. The great frieze, originally below the choir of the Venetian church of SS. Cosma and Damiani on the Giudecca (Zanetti 1771), is a fine example of Tiepolo's work of the 1730s. The painting in its ornate stucco frame decorated with fruit, flowers and leaves is over 13 metres long. Three episodes are depicted with a decorative illusionism contrasting with the declared realist-narrative intent, rendering the painting somewhat melodramatic effect.Artist:TIEPOLO, Giovanni Battista Title: The Scourge of the Serpents (detail) Painted in 1701-1750 , Italian - - painting : religious
64329  
the sicisbeo, c., Giovanni Battista Tiepolo
  		 the sicisbeo, c.   1785 venice,carezzonico
51262  
The Theological Virtues, Giovanni Battista Tiepolo
  		 The Theological Virtues   c. 1755 Oil on canvas, octogonal, 38,8 x 38,1 cm
63769  
The Three Angels Appearing to Abraham, Giovanni Battista Tiepolo
  		 The Three Angels Appearing to Abraham   1726-1729 Fresco, 4000 x 2000 cm Palazzo Patriarcale, Udine Abraham kneels in prayer, awed by the appearance of the three angels, who float on a very solid-looking white cloud. The scene illustrates both the promise to make Abraham "a father of many nations" and the favour shown by God towards him, as described in the book of Genesis. Although the divine origin of the angels is made clear by their being placed in the upper portion of the picture, Tiepolo has portrayed them with very human features.Artist:TIEPOLO, Giovanni Battista Title: The Three Angels Appearing to Abraham Painted in 1701-1750 , Italian - - painting : religious
20711  
The Tooth Puller (mk05), Giovanni Battista Tiepolo
  		 The Tooth Puller (mk05)   1754 Canvas 32 x 43 1/4''(81 x 110 cm)Pendant to Carnival Scene or the Minuet Collection of Count Algarotti in Venice 1779;bequeathed in 1938 R.F
42070  
The traslacion of the holy house to Loreto, Giovanni Battista Tiepolo
  		 The traslacion of the holy house to Loreto   mk166 Toward 1743 I Wave on cloth
28476  
The Triumph of Aurelian, Giovanni Battista Tiepolo
  		 The Triumph of Aurelian   mk60 Oil on canvas 215x127"
1620  
The Triumph of Zephyr and Flora, Giovanni Battista Tiepolo
  		 The Triumph of Zephyr and Flora   1734-35 Museo del Settecento Veneziano di Ca'Rezzonico, Venice
51265  
The Virgin Appearing to Dominican Saints, Giovanni Battista Tiepolo
  		 The Virgin Appearing to Dominican Saints   1747-48 Oil on canvas, 340 x 168 cm
51319  
The Virgin Appearing to St Philip Neri, Giovanni Battista Tiepolo
  		 The Virgin Appearing to St Philip Neri   1740 Oil on canvas, 360 x 182 cm
52225  
The Virgin with Six Saints, Giovanni Battista Tiepolo
  		 The Virgin with Six Saints   1737-40 Oil on canvas, 72,8 x 56 cm
62180  
There are parrot portrait of young woman, Giovanni Battista Tiepolo
  		 There are parrot portrait of young woman   mk280 Oil on canvas 70 x 52cm
87550  
Treffen von Marc Antonius und Kleopatra, Giovanni Battista Tiepolo
  		 Treffen von Marc Antonius und Kleopatra   Date 1747-1749 Medium Oil on canvas cjr
92291  
Treffen von Marc Antonius und Kleopatra, Giovanni Battista Tiepolo
  		 Treffen von Marc Antonius und Kleopatra   1747-1749 Medium oil on canvas cyf
41148  
Triumph of ephy and Flora, Giovanni Battista Tiepolo
  		 Triumph of ephy and Flora   mk157 1731-32 Oil on canvas 395x225cm
89420  
Triumphzug der Fortitudo und der Sapienzia, Giovanni Battista Tiepolo
  		 Triumphzug der Fortitudo und der Sapienzia   c. 1745-1750 Medium oil on canvas Dimensions Deutsch: 299 x 379 cm cjr
96637  
Triunfo das Artes, Giovanni Battista Tiepolo
  		 Triunfo das Artes   from 1729(1729) until 1730(1730) Medium oil on panel Dimensions 55.5 X 72 cm cyf
90259  
Venus und Vulcanus, Giovanni Battista Tiepolo
  		 Venus und Vulcanus   1758-1760 Medium oil on canvas Dimensions Deutsch: 69 x 87 cm cjr
51266  
Woman with a Parrot, Giovanni Battista Tiepolo
  		 Woman with a Parrot   1760-61 Oil on canvas
51261  
Worshippers, Giovanni Battista Tiepolo
  		 Worshippers   1743-45 Fresco transferred to canvas, 410 x 198 cm
56127  
young woman with macaw, Giovanni Battista Tiepolo
  		 young woman with macaw   mk247 c.1760,oil on canvas,ashomlean museum,oxford,uk
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Giovanni Battista Tiepolo
Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.



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